The world can travel almost anywhere, and you will probably see graffiti. Although graffiti art is generally more common in large cities, the reality is that it can be large or small in almost every community.
The problem of graffiti art is the question of whether it is really art or simply vandalism. This is not always easy to answer simply because there are so many different graffiti. Some are simply a monochrome leaf collection, labeled as a label with little artistic merit. Because they are quick to make and small, this is one of the most common and most common forms of graffiti. Although labeling is the most common graffiti, larger areas are larger than the walls. They are often complex and multifaceted in design and thus begin the limit to the fact that they are truly defined as graffiti art.
If not the fact that most graffiti is placed on private ownership The owner's license may be considered to be the legitimate form of art. Most graffiti art, however, only annoys the realtor, who is more likely to paint or remove it than to clap his artistic merit.
There have been a number of solutions around the globe Variable successes. Paints have been developed that result in the dissolution of graffiti dye, or they are faster and easier to remove them. Community groups and government agencies coordinate graffiti removal teams.
In some places, you can not buy spray paint unless it is over. The toner cartridge toner cartridge is locked in the display. In a nearby area, the local government employs someone who turns around and flips around the fences that emerge from the graffiti. A friend had painted his fence at least seven times and took some time to find out why this was happening. Of course, the amount of graffiti in my local area has dropped significantly over the past one or two years, so these methods seem to work a great deal.
Does it cancel the graffiti committed by the artistic community? Perhaps if people behind graffiti art were handled and trained, they could use their artistic skills in a more productive way. It hardly makes sense to encourage these artists to corrupt state property and thus commit a crime. But maybe other ways to work with graffiti artists, not to face them. Graffiti artists can create a masonry wall for private owners and pay for it.
Perhaps we must start very thoroughly and find a way to encourage the creation of graffiti art on paper or canvas, more like Walls. After all, who would remember Monet or Picasso for making masterpieces on the walls just to paint them the next day? Finding a solution to such a complex situation will never be easy, but as more and more graffiti art is known about galleries worldwide, we must try.